Since graduating from the University of North Texas in 1992 with a Bachelor of Fine Arts in painting, my art has reflected a journey through conflicted environments of space, navigating the matrix of corporate America.
My artistic foundation has been shaped by extensive movement through cities, including New York, Los Angeles, Baltimore, and villages in Malta. Each location leaves its residue: street textures, industrial noise, architectural decay, or moments of stillness and a sense of disarray. These impressions are not just visual but visceral. My goal is to make the invisible tensions of industrious life felt through weight, fragmentation, and the urgency of mark-making.
Working with layered textures and, at times, salvaged materials, my pieces are created to become sensory landscapes—mapping both physical environments and internal states. My goal is to create abstract assemblages that reflect on themes of stress, confinement, and the body’s response to space.
I need people to feel what I see. That declaration anchors the honesty in my process and the impact of my compositions to unsettle, absorb, and connect. I explore experiences of urban life, societal issues, and personal introspection, stemming from my journey of observation and impact. I am mentally and physically jammed in tight spaces, and it comes out in my work
Collections:
DLA Piper - Baltimore, USA
Alex Cooper Auctions - Baltimore, USA
Hyatt Place Baltimore - Inner Harbor, Baltimore, USA
Davis Polk - Washington D.C.
Numerous private collectors
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